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Looking for a fast-moving car chase? Aerial acrobatics? How about a bit of fisticuffs? Or a tiger eating a dude? Look no further: Netflix has what you need.
The best action movies streaming on Netflix right now run the gamut: You can catch a high-minded thriller that uses action to underline plot, character, and message; or a hyper-stylish beat-em-up with cinematography and choreography that make art of violence; or you can just watch a lot of stuff blow up real good. No judgments! The only criteria is that the movie provides a fair share of fast-paced action thrills.
Millie Bobby Brown (Stranger Things, Enola Holmes) is virtually the face of Netflix at this point. In her latest movie, she plays the title's damsel, Elodie, who agrees to marry a handsome prince, as young damsels did back in medieval times. Only she discovers that it's a trap, and she's actually meant to serve as a sacrifice to satisfy an ancient magical debt to a dragon. Luckily, our distressed damsel is far more resourceful than her would-be in-laws might have guessed. Angela Bassett, Robin Wright, and Shohreh Aghdashloo round out the cast of this fun action fantasy.
Though the movie has deeper ambitions, and succeeds on multiple levels, the fun here is in watching surprisingly swole Viola Davis lead a team of all-but-unstoppable African women warriors as they fight back against colonialist invaders. Set in West Africa in 1823, and based on the real-life the Agojie (also known as the Dahomey Amazons). Davis is General Nanisca, leader of the countryâs army, forced to navigate complicated regional politics even though her skills, and the movieâs most exhilarating scenes, involve kicking slave-trader ass.
A fast-paced action movie should almost certainly not be as long as RRR, but there is not one single dull moment in this nearly three-hour Bollywood film. Likewise, a historical drama that touches on the national trauma brought on by the British Raj and depicting two real-life revolutionaries who died as martyrs to the cause of independence shouldnât be this much pure fun, but somehow the context only makes it more satisfying. Find me a more thrilling moment in the movies than the bit where a truck full of wild animals is forcefully unleashed upon a sedate gathering at a British politicianâs compound, or when a meet-cute between the two main characters involves wild acrobatics over and around a bridge. If American action epics insist on being this long, they could learn a thing or two or three from RRRâs refusal to ever sag.
Gil Bok-Soon (Jeon Do-yeon) is just a working single mom struggling to relate to her teenage daughter. Or, at least, thatâs how it looks. It turns out that the company she works for, M. K. Ent., is in the assassination business, and Bok-Soon is their top-rated killerâsheâs also in a slightly awkward relationship with one of her co-workers. Itâs not a comedy, but the movie has fun playing up its parallels between a typical corporate job and Bok-Soonâs gig, while also offering up some impressively well-defined characters. Whatâs at least as important as all of that, though, is the plethora of spellbinding action sequences and brilliant fight choreo.
Director Paul Verhoeven pulled off a rather brazen bit of literary criticism by adapting the Robert Heinlein military sci-fi novel without changing much, while bringing the book's fascistic undertones to the fore. It's a brightly colored satire, but it also works as an absolutely over-the-top action movie (so much so that many contemporary critics and audiences didn't get the joke) involving Johnny Rico (Casper Van Dien) and the rest of his squad at war with "Bugs," insect-like aliens that appear to represent an existential threat to humanity. Filled with the same subversive touches as the director's earlier RoboCop (including fake news broadcasts and propaganda), it's a hoot on many levels. Do you want to know more?
The '80s fantasy movie wave saw a string of movies about sweaty, shirtless guys in loincloths battling dragons and demons, and the greatest of these was, of course, Conan the Barbarian, a brilliant vehicle for a young Arnold Schwarzenegger to show off those famous biceps. Here, Conan begins a lifelong quest of vengeance against the evil sorcerer Thulsa Doom (James Earl Jones), beset by giant snakes, cannibal orgies, and the Wheel of Pain. It's all very silly while taking itself very seriously, which is just the right approach for adapting the pulpy novels of Robert E. Howard, and kind of the sweet spot for action movies of the era.
On a relatively small budget, Beverly Hills Cop became an instant blockbuster, turned Eddie Murphy into an international superstar, and even earned an Oscar nomination for its screenplay. This was the golden age of the buddy comedy, and few succeeded on the same level. Murphy plays Axel Foley, a Detroit cop moonlighting in sunny California to solve an old friend's murder. He reluctantly teams up with Judge Reinhold's bumbling Detective Billy Rosewood, and action-packed antics ensue. It's success led to a trilogy and a 2024 legacy sequel, Beverly Hills Cop: Axel F. And that soundtrack!
Even given the success of Hollywood's recent stabs at the franchise, the best Godzilla movies still come from Japan, a fact made crystal clear by this emotional roller-coaster, set in the aftermath of World War II. With clear-cut and inventive action set against a story involving human characters who we genuinely care about, this isn't just the best recent kaiju movie...it may be the best ever.
The Wachowskis redefined the action movie for a generation with this stylish and cerebral bit of sci-fi that blends philosophy with Hong Kong-style martial arts action in an expertly cool package. Subsequent movies (even its own sequels) chased the highs produced here for years without ever quite managing to top them.
Burt Reynolds has a long way to go and a short time to get there. He's Bo "The Bandit" Darville, running point for an illegal shipment of bootleg beer (400 cases of Coors, to be precise) from Texas to Atlanta, using his cool car to draw attention from Jackie Gleason's Sheriff Buford T. Justice. He's joined along the way by Sally Field's Carrie, a runaway bride who makes a surprisingly helpful companion. The practical car action makes it a slightly more believable alternative to the Fast and the Furious films.
With plenty of action and hints of melodrama, this World War II-set adventure finds Gregory Peck, David Niven, and Anthony Quinn leading a commando unit tasked with taking out a couple of giant guns on the titular island in order to clear a path to rescue 2,000 marooned soldiers. Dogged by Nazis, the team faces the Germans on sea and land, with guns, fists, and their wits. It doesn't have much more on its mind that Nazi-punching action, and that's not a bad thing.
2014's The Equalizer was the first of two ongoing, largely unrelated, takes on the original 1980s TV seriesâa new CBS show starring Queen Latifah premiered in 2021. Given the success-to-failure ratio of reboots, finding success with two of them is no small feat, and it doesn't hurt the film version reunites Denzel Washington with Training Day director Antoine Fuqua. The setup is straightforwardâformer marine and intelligence officer Robert McCall is drawn out of retirement when a young woman he meets at a diner turns out to be connected to a world of sex trafficking and Russian oligarchsâbut the plot is really secondary. This one's all about watching Denzel getting violent, action-packed revenge.
Greg Rucka wrote the screenplay for this adaptation of his graphic novel about a mercenary special ops team made up of impressively long-lived humans with unexplained regenerative powers. Charlize Theron leads the cynical group of warriors in a movie that effectively blends superhero tropes with military action. The lack of superpowers that don't have to do with healing helps differentiate it from Marvel and DC flicks, foregrounding skillfully choreographed fight sequences that don't feel like complete fantasy.
Quentin Tarantino's two-part martial arts spectacular pays brilliant homage to the classics of the genre, with Uma Thurman as a nameless (at least initially) vengeful bride out to kill everyone who destroyed her happiness (specifically: her one-time fellow assassins, played by Lucy Liu, Michael Madsen, Daryl Hannah, Vivica A. Fox, and David Carradine). With brutal, beautiful fighting and colorful, over-the-top set-pieces, it's a heightened and bloody experience with real emotional resonance.
This reboot doesn't quite reach the gloriously cheesy heights of the 1995 version, but at least retains a charming B-movie feel, despite the larger budget. Blending fighting action with CGI goofery, this story of a mystical martial arts tournament that will determine the fate of Earth doesn't take itself any more seriously than is strictly necessary, making for an enjoyable live-action video game. (Never mind that it doesn't actually get to the tournament itselfâI guess they were saving that for the sequel.)
The modern western takes on the story of real-life Black American cowboy Nat Love (played by Jonathan Majors), and heâs joined by several other characters out of actual American history, played by the likes of Idris Elba, Zazie Beetz, Regina King, and Delroy Lindo. Itâs not a history lesson, but western movies have never been particularly troubled by the idea of heightening the true stories of the old American west into something like mythology. Here, young Nat Loveâs parents are killed by Elbaâs outlaw Rufus Buck, sending Love on a lifelong quest for revenge. This leads to a series of brilliantly exciting shoot-outs, stunts, and chases that pay tribute to the classic movies of the western genre, while also nodding to modern fight choreography and staging.
A sort-of successor to The Raid series (including many of the same actors), this movie from Indonesian writer/director Timo Tjahjanto (May the Devil Take You, a great horror movie also on Netflix) tells the story of a Triad member forced to fight his way out of the organization. The movie is on the bloodier end of its genre; the action is brilliant and stylized, but thereâs quite a bit more realism in terms of blood and gore. The concluding fight scene is an all-time great one, if youâve got the stomach for it.
Though itâs lead by a French director and an American actor (Mary Elizabeth Winstead), Kate stands apart in its anime-inspired, neon-lit, new-Tokyo aesthetic. Thereâs nothing new here, plot-wise, but thatâs beside the point. Assigned to kill a yakuza assassin by her handler (Woody Harrelson), the titular assassin discovers that sheâs been poisoned and has only 24 hours to live (i.e., 24 hours to get violent revenge). Imagine if the 1940s film noir classic D.O.A. were a martial arts action movie.
An appearance by Oscar-winner Michelle Yeoh doesnât necessarily guarantee guarantee âactionâ (the Everything Everywhere All at Once and Crazy Rich Asians star can do it all)âbut an appearance from Yeoh is guaranteed to be the icing on any action-movie cake. A modern take on classic gun-fu, this one further gilds that lily by adding in Lena Headey, Karen Gillan, Carla Gugino, and Angela Bassett(!) The cast aside, the film deals with two rival groups of assassins battling it out over the fate of a kidnapped child.
The two Baahubali movies might not have quite the rousing political appeal of RRR (theyâre all from the same director, S.S. Rajamouli)âhonestly, itâs hard to beat the thrill of watching snotty colonials being eaten by tigersâbut, if anything, these movies are even bigger, grander, and more operatic in their interests. Roughly inspired by the ancient Indian stories of the Mahabharata and featuring endless sweaty shirtless men (and not a few women, although more often clothed) fighting people and animals, the first film includes a 45-minute battle sequence thatâs topped by the sequel. Thereâs just enough plot and romance to propel the action, but theyâre the kinds of movies that know exactly what weâre here for, and theyâre not afraid to give it to you. Baahubali: The Beginning and Baahubali: The Conclusion are both on Netflix, in English-dubbed and subtitled versions.
Her brother Sherlock wasnât above a bit of fisticuffs now and then, but it was his sister, Enola (Millie Bobbie Brown), we learn here, who really got to mix it upâwith some help and training from their mother, Eudoria (Helena Bonham Carter). Enola uses that combat training throughout the movie in fights involving fists, guns, knives, explosives, and a moving train or two as Enola searches for her missing mum while staying a step or two ahead of big bro (Henry Cavill). The sequel is just as fun.
Chris Pine plays Robert the Bruce in this film that, unsurprisingly, takes plenty of liberties with the Scottish Wars of Independence of the 14th century. No matter. The film sees underdog Robert lead a guerrilla campaign against the future Edward II of England in a number of exceptionally (though believably) bloody Medieval battles. Spears and swords clash in a number of extended and expensive-looking sequences, making it look like a real-life (well, kinda) Game of Thrones.
The film aspires to the paranoid, conspiracy-style of movies like The Parallax View, The Bourne Identity, or Enemy of the State, but the plot here is a little too thin to work on that level. Where Beckett excels, though, is in presenting a straightforward man-on-the-run action thriller. John David Washington stars as the title character, who finds himself getting chased through Greece, for reasons unclear to him, following an auto accident. Washington is fun to watch as he runs and gets shot at; the scenery is striking; and the movie does a good job of making Greece feel incredibly sinister, especially for a lead character who doesnât know the language.
It feels strange to include Spike Leeâs thoughtful Vietnam War storyâone that grapples with the experiences of Black American soldiers during that conflict as few (if any) movies have before. Nevertheless, part of the reason that it works as well as it does is that Leeâs film does all of that while also offering up plenty of impressively shot and choreographed action sequences. With a cast led by Delroy Lindo, Jonathan Majors, and Clarke Peters, the movie finds four aging Vietnam vets returning to that country to recover the remains of their fallen squad leaderâand also to dig up the gold bars they left behind. Set in two time frames, it plays as a war movie in the past and, often, a thriller in the charactersâ present, as theyâre hunted by mercenaries while they hunt their lost treasure.
Full story here:
The best action movies streaming on Netflix right now run the gamut: You can catch a high-minded thriller that uses action to underline plot, character, and message; or a hyper-stylish beat-em-up with cinematography and choreography that make art of violence; or you can just watch a lot of stuff blow up real good. No judgments! The only criteria is that the movie provides a fair share of fast-paced action thrills.
Damsel (2024)
Millie Bobby Brown (Stranger Things, Enola Holmes) is virtually the face of Netflix at this point. In her latest movie, she plays the title's damsel, Elodie, who agrees to marry a handsome prince, as young damsels did back in medieval times. Only she discovers that it's a trap, and she's actually meant to serve as a sacrifice to satisfy an ancient magical debt to a dragon. Luckily, our distressed damsel is far more resourceful than her would-be in-laws might have guessed. Angela Bassett, Robin Wright, and Shohreh Aghdashloo round out the cast of this fun action fantasy.
The Woman King (2022)
Though the movie has deeper ambitions, and succeeds on multiple levels, the fun here is in watching surprisingly swole Viola Davis lead a team of all-but-unstoppable African women warriors as they fight back against colonialist invaders. Set in West Africa in 1823, and based on the real-life the Agojie (also known as the Dahomey Amazons). Davis is General Nanisca, leader of the countryâs army, forced to navigate complicated regional politics even though her skills, and the movieâs most exhilarating scenes, involve kicking slave-trader ass.
RRR (2022)
A fast-paced action movie should almost certainly not be as long as RRR, but there is not one single dull moment in this nearly three-hour Bollywood film. Likewise, a historical drama that touches on the national trauma brought on by the British Raj and depicting two real-life revolutionaries who died as martyrs to the cause of independence shouldnât be this much pure fun, but somehow the context only makes it more satisfying. Find me a more thrilling moment in the movies than the bit where a truck full of wild animals is forcefully unleashed upon a sedate gathering at a British politicianâs compound, or when a meet-cute between the two main characters involves wild acrobatics over and around a bridge. If American action epics insist on being this long, they could learn a thing or two or three from RRRâs refusal to ever sag.
Kill Boksoon (2023)
Gil Bok-Soon (Jeon Do-yeon) is just a working single mom struggling to relate to her teenage daughter. Or, at least, thatâs how it looks. It turns out that the company she works for, M. K. Ent., is in the assassination business, and Bok-Soon is their top-rated killerâsheâs also in a slightly awkward relationship with one of her co-workers. Itâs not a comedy, but the movie has fun playing up its parallels between a typical corporate job and Bok-Soonâs gig, while also offering up some impressively well-defined characters. Whatâs at least as important as all of that, though, is the plethora of spellbinding action sequences and brilliant fight choreo.
Starship Troopers (1997)
Director Paul Verhoeven pulled off a rather brazen bit of literary criticism by adapting the Robert Heinlein military sci-fi novel without changing much, while bringing the book's fascistic undertones to the fore. It's a brightly colored satire, but it also works as an absolutely over-the-top action movie (so much so that many contemporary critics and audiences didn't get the joke) involving Johnny Rico (Casper Van Dien) and the rest of his squad at war with "Bugs," insect-like aliens that appear to represent an existential threat to humanity. Filled with the same subversive touches as the director's earlier RoboCop (including fake news broadcasts and propaganda), it's a hoot on many levels. Do you want to know more?
Conan the Barbarian (1982)
The '80s fantasy movie wave saw a string of movies about sweaty, shirtless guys in loincloths battling dragons and demons, and the greatest of these was, of course, Conan the Barbarian, a brilliant vehicle for a young Arnold Schwarzenegger to show off those famous biceps. Here, Conan begins a lifelong quest of vengeance against the evil sorcerer Thulsa Doom (James Earl Jones), beset by giant snakes, cannibal orgies, and the Wheel of Pain. It's all very silly while taking itself very seriously, which is just the right approach for adapting the pulpy novels of Robert E. Howard, and kind of the sweet spot for action movies of the era.
Beverly Hills Cop (1984)
On a relatively small budget, Beverly Hills Cop became an instant blockbuster, turned Eddie Murphy into an international superstar, and even earned an Oscar nomination for its screenplay. This was the golden age of the buddy comedy, and few succeeded on the same level. Murphy plays Axel Foley, a Detroit cop moonlighting in sunny California to solve an old friend's murder. He reluctantly teams up with Judge Reinhold's bumbling Detective Billy Rosewood, and action-packed antics ensue. It's success led to a trilogy and a 2024 legacy sequel, Beverly Hills Cop: Axel F. And that soundtrack!
Godzilla Minus One (2023)
Even given the success of Hollywood's recent stabs at the franchise, the best Godzilla movies still come from Japan, a fact made crystal clear by this emotional roller-coaster, set in the aftermath of World War II. With clear-cut and inventive action set against a story involving human characters who we genuinely care about, this isn't just the best recent kaiju movie...it may be the best ever.
The Matrix (1999)
The Wachowskis redefined the action movie for a generation with this stylish and cerebral bit of sci-fi that blends philosophy with Hong Kong-style martial arts action in an expertly cool package. Subsequent movies (even its own sequels) chased the highs produced here for years without ever quite managing to top them.
Smokey and the Bandit (1977)
Burt Reynolds has a long way to go and a short time to get there. He's Bo "The Bandit" Darville, running point for an illegal shipment of bootleg beer (400 cases of Coors, to be precise) from Texas to Atlanta, using his cool car to draw attention from Jackie Gleason's Sheriff Buford T. Justice. He's joined along the way by Sally Field's Carrie, a runaway bride who makes a surprisingly helpful companion. The practical car action makes it a slightly more believable alternative to the Fast and the Furious films.
The Guns of Navarone (1961)
With plenty of action and hints of melodrama, this World War II-set adventure finds Gregory Peck, David Niven, and Anthony Quinn leading a commando unit tasked with taking out a couple of giant guns on the titular island in order to clear a path to rescue 2,000 marooned soldiers. Dogged by Nazis, the team faces the Germans on sea and land, with guns, fists, and their wits. It doesn't have much more on its mind that Nazi-punching action, and that's not a bad thing.
The Equalizer (2014)
2014's The Equalizer was the first of two ongoing, largely unrelated, takes on the original 1980s TV seriesâa new CBS show starring Queen Latifah premiered in 2021. Given the success-to-failure ratio of reboots, finding success with two of them is no small feat, and it doesn't hurt the film version reunites Denzel Washington with Training Day director Antoine Fuqua. The setup is straightforwardâformer marine and intelligence officer Robert McCall is drawn out of retirement when a young woman he meets at a diner turns out to be connected to a world of sex trafficking and Russian oligarchsâbut the plot is really secondary. This one's all about watching Denzel getting violent, action-packed revenge.
The Old Guard (2020)
Greg Rucka wrote the screenplay for this adaptation of his graphic novel about a mercenary special ops team made up of impressively long-lived humans with unexplained regenerative powers. Charlize Theron leads the cynical group of warriors in a movie that effectively blends superhero tropes with military action. The lack of superpowers that don't have to do with healing helps differentiate it from Marvel and DC flicks, foregrounding skillfully choreographed fight sequences that don't feel like complete fantasy.
Kill Bill: Volumes 1 and 2 (2003/2004)
Quentin Tarantino's two-part martial arts spectacular pays brilliant homage to the classics of the genre, with Uma Thurman as a nameless (at least initially) vengeful bride out to kill everyone who destroyed her happiness (specifically: her one-time fellow assassins, played by Lucy Liu, Michael Madsen, Daryl Hannah, Vivica A. Fox, and David Carradine). With brutal, beautiful fighting and colorful, over-the-top set-pieces, it's a heightened and bloody experience with real emotional resonance.
Mortal Kombat (2021)
This reboot doesn't quite reach the gloriously cheesy heights of the 1995 version, but at least retains a charming B-movie feel, despite the larger budget. Blending fighting action with CGI goofery, this story of a mystical martial arts tournament that will determine the fate of Earth doesn't take itself any more seriously than is strictly necessary, making for an enjoyable live-action video game. (Never mind that it doesn't actually get to the tournament itselfâI guess they were saving that for the sequel.)
The Harder They Fall (2021)
The modern western takes on the story of real-life Black American cowboy Nat Love (played by Jonathan Majors), and heâs joined by several other characters out of actual American history, played by the likes of Idris Elba, Zazie Beetz, Regina King, and Delroy Lindo. Itâs not a history lesson, but western movies have never been particularly troubled by the idea of heightening the true stories of the old American west into something like mythology. Here, young Nat Loveâs parents are killed by Elbaâs outlaw Rufus Buck, sending Love on a lifelong quest for revenge. This leads to a series of brilliantly exciting shoot-outs, stunts, and chases that pay tribute to the classic movies of the western genre, while also nodding to modern fight choreography and staging.
The Night Comes for Us (2018)
A sort-of successor to The Raid series (including many of the same actors), this movie from Indonesian writer/director Timo Tjahjanto (May the Devil Take You, a great horror movie also on Netflix) tells the story of a Triad member forced to fight his way out of the organization. The movie is on the bloodier end of its genre; the action is brilliant and stylized, but thereâs quite a bit more realism in terms of blood and gore. The concluding fight scene is an all-time great one, if youâve got the stomach for it.
Kate (2021)
Though itâs lead by a French director and an American actor (Mary Elizabeth Winstead), Kate stands apart in its anime-inspired, neon-lit, new-Tokyo aesthetic. Thereâs nothing new here, plot-wise, but thatâs beside the point. Assigned to kill a yakuza assassin by her handler (Woody Harrelson), the titular assassin discovers that sheâs been poisoned and has only 24 hours to live (i.e., 24 hours to get violent revenge). Imagine if the 1940s film noir classic D.O.A. were a martial arts action movie.
Gunpowder Milkshake (2021)
An appearance by Oscar-winner Michelle Yeoh doesnât necessarily guarantee guarantee âactionâ (the Everything Everywhere All at Once and Crazy Rich Asians star can do it all)âbut an appearance from Yeoh is guaranteed to be the icing on any action-movie cake. A modern take on classic gun-fu, this one further gilds that lily by adding in Lena Headey, Karen Gillan, Carla Gugino, and Angela Bassett(!) The cast aside, the film deals with two rival groups of assassins battling it out over the fate of a kidnapped child.
Baahubali (2015)
The two Baahubali movies might not have quite the rousing political appeal of RRR (theyâre all from the same director, S.S. Rajamouli)âhonestly, itâs hard to beat the thrill of watching snotty colonials being eaten by tigersâbut, if anything, these movies are even bigger, grander, and more operatic in their interests. Roughly inspired by the ancient Indian stories of the Mahabharata and featuring endless sweaty shirtless men (and not a few women, although more often clothed) fighting people and animals, the first film includes a 45-minute battle sequence thatâs topped by the sequel. Thereâs just enough plot and romance to propel the action, but theyâre the kinds of movies that know exactly what weâre here for, and theyâre not afraid to give it to you. Baahubali: The Beginning and Baahubali: The Conclusion are both on Netflix, in English-dubbed and subtitled versions.
Enola Holmes (2020)
Her brother Sherlock wasnât above a bit of fisticuffs now and then, but it was his sister, Enola (Millie Bobbie Brown), we learn here, who really got to mix it upâwith some help and training from their mother, Eudoria (Helena Bonham Carter). Enola uses that combat training throughout the movie in fights involving fists, guns, knives, explosives, and a moving train or two as Enola searches for her missing mum while staying a step or two ahead of big bro (Henry Cavill). The sequel is just as fun.
Outlaw King (2018)
Chris Pine plays Robert the Bruce in this film that, unsurprisingly, takes plenty of liberties with the Scottish Wars of Independence of the 14th century. No matter. The film sees underdog Robert lead a guerrilla campaign against the future Edward II of England in a number of exceptionally (though believably) bloody Medieval battles. Spears and swords clash in a number of extended and expensive-looking sequences, making it look like a real-life (well, kinda) Game of Thrones.
Beckett (2021)
The film aspires to the paranoid, conspiracy-style of movies like The Parallax View, The Bourne Identity, or Enemy of the State, but the plot here is a little too thin to work on that level. Where Beckett excels, though, is in presenting a straightforward man-on-the-run action thriller. John David Washington stars as the title character, who finds himself getting chased through Greece, for reasons unclear to him, following an auto accident. Washington is fun to watch as he runs and gets shot at; the scenery is striking; and the movie does a good job of making Greece feel incredibly sinister, especially for a lead character who doesnât know the language.
Da 5 Bloods (2020)
It feels strange to include Spike Leeâs thoughtful Vietnam War storyâone that grapples with the experiences of Black American soldiers during that conflict as few (if any) movies have before. Nevertheless, part of the reason that it works as well as it does is that Leeâs film does all of that while also offering up plenty of impressively shot and choreographed action sequences. With a cast led by Delroy Lindo, Jonathan Majors, and Clarke Peters, the movie finds four aging Vietnam vets returning to that country to recover the remains of their fallen squad leaderâand also to dig up the gold bars they left behind. Set in two time frames, it plays as a war movie in the past and, often, a thriller in the charactersâ present, as theyâre hunted by mercenaries while they hunt their lost treasure.
Full story here:
![[DK]](/data/avatars/s/57/57999.jpg?1720990206){kind=avatar}
